Publications

2020:

5 frames with Kodak Ektachrome E100 and Yashica MAT124G

5 frames of people with FujiFilm Velvia 50 and Rolleiflex 2.8GX

5 frames of cats that will save film film forever on emulsive.org

5 frames with Pentax MZ-3 and Voigtlander 20mm in Panorama Mode on 35mmc

Essay: It’s all been done before, so why bother taking photographs? on emulsive.org

5 frames with Voigtlander Color-Skopar 20mm f3.5 aspherical for Pentax on 35mmc

Noritar 80mm f2 medium format lens on 35mm film camera on 35mmc

 

2019:

Rolleiflex 2.8GX Expression review on emulsive.org

Contax S2 mini review on 35mmc

Yashica MAT 124G (and auxiliary lenses) review on 35mmc

Business trip with medium format film II – New York

 

2018:

5 frames with Nikon Nikkor HC 5cm f2 ltm on 35mmc

5 frames with Mamiya Sekor 45mm f2.8 N and Mamiya 645 1000S on 35mmc

5 frames with Mamiya Sekor 80mm 1.9 and Mamiya 645 1000S on 35mmc

Pentax MZ-S and 43mm, 31mm and 77mm Limited lens trio review

Business trip with medium format film I – Milan&Como

5 frames with Fujifilm Superia 200 on emulsive.org

5 frames with Pentax SuperA and Pentax-A 50mm 1.7 lens on 35mmc

5 frames with Fujifilm Fujicolor C200 on emulsive.org

 

2017:

5 frames with medium format Ilford Delta 3200 on emulsive.org

5 frames with Pentax MZ-3 and Pentax-F 50mm 1.7 lens on 35mmc

How I made Sony A7RII to work for me

A more serious, laid back approach to mobile photography

Showcase with Delta 3200 film on Ilford Photo blog 

Contax T2 and Fuji Klasse S review and comparison

Metering for negative film

 

2016:

Ilford Delta 3200 35mm film short report

Few thoughts and discussion about cinematic style

About iPhoneography

 

2015:

A story with the twist about digital photography

CineStill 800Xpro Tungsten 35mm film review

CineStill 50D 35mm film review

 

2014:

Pentax Mz-3 camera review

SMC Pentax-F 50mm F1.7 lens overview